A Very Green Street: Irish Families in Hingham in 1900

Detail from 1903 Hingham map

Green Street, which became a mapped street of Hingham in 1838, had existed as an informal road since early in Hingham’s history. In the late 1800s it was increasingly populated by Irish immigrants and their families, though the name Green Street does not appear to have a direct connection with its Irish community.  The immigrants here primarily came from counties in southern Ireland like Cork and Tipperary, although Dan Daly, one of the early Irish of Green Street, had arrived in 1855 from County Armagh, in Northern Ireland, where St. Patrick is said to have founded a Celtic Christian monastery.

19 Green Street, Hingham

In 1900, many in the neighborhood, like Dan Daly, at 19 Green Street –then 72 and still working – had livelihoods tied to nearby estates and the comings and goings at Hingham Harbor. The Gilded Age had increased wealth for some in Hingham while also creating jobs for many Irish immigrants fleeing poverty tied to the Irish potato famine which began in 1845.  In addition to Daly, Irish-born estate gardeners included

23 Green Street, Hingham

30-year-old John Connelly and 32-year-old James Donnell, both of whom settled on Green Street to raise families.  Also working as a gardener in 1900 was 78-year-old John Magner. He and his wife Bridget Hanley were empty nesters in 1900, after raising 5 children at 23 Green Street.  One son, John Magner, Jr., lived with his young family on Martins Lane, where he was head gardener for the Brewer Estate.  (The Magner clan would continue to grow in Hingham during the 20th century.)

St. Paul’s Church, Hingham, c. 1930.

Another Green Street resident likely employed by a nearby estate was Judith (Barrett) Buttimer, 61, a widow who worked as a laundress. Judith’s husband, John Buttimer, a farm laborer, died young, at only 55, as did many hard-working immigrant laborers. John had emigrated in 1854 with a younger brother, Thomas Buttimer, who in 1900 was a farm foreman in Hingham. Thomas and his wife, Catherine Barrett, had married in 1858 in Randolph–before the building of St. Paul’s, Hingham’s first Catholic church (dedicated in July 1871).  One of their six children, Thomas H. Buttimer State Rep. Thomas H. ButtimerJr., who in 1900 had his own family home on Lincoln Street, was a prominent  attorney, and in 1902 would be elected as state representative from the 3rd district. Over on Green Street, Aunt Judith must have been quite proud, although in 1902, as a woman, she would not yet have had the right to vote.

Milk bottle cap, World’s End Farm

The 1900 census identifies some other Irish immigrants on Green Street as “farm hands” or “farm laborers,” including 37-year-old Dennis Long, married with two young children, and 48-year-old James Buckley, married with two teen-agers. Long and Buckley likely were working at one of the farms in north Hingham at the time, perhaps John Brewer’s “gentleman’s farm” – established in the 19th century at World’s End, or the Jordan Farm,  then one of the largest farms in Hingham, located on Union Street (now the location of Hingham High School.)

Hingham’s days as a Gilded Age seasonal tourist destination were, in 1900, mostly past. The steamship lines recently had ended their scheduled stops at Hingham Harbor after assessing the damage to the Hingham wharves caused by the 1898 Portland Gale.  Melville Garden, the amusement park at Crow Point, had been dismantled in 1896, and the Old Colony House, just up the hill on Summer Street, had burned down in 1872.  But Green Street’s location near the harbor gave its residents convenient access to work related to the coal and wood fuel-supply dealers, lumber wharves, and other harbor-related businesses. For many, this proximity to businesses needing carting and other hauling and loading services created jobs as teamsters, or as hostlers. Teamsters living on Green Street in 1900 included the recently married Cornelius Ryan, 31, and William Welch, 33 and married with young children.

Kimball Lumber yard at Hingham Harbor

6 Green Street, Hingham

William Welch was born here to Irish immigrants John Welch and wife Julia of 6 Green Street.  John Welch, 80 years old in 1900, was still working as a laborer according to the census record. He and Julia had eleven children, but only four were still living in 1900. Tuberculosis and pneumonia, along with scarlet fever, were frequent causes of death for children and young adults in the late 19th and early 20th century Irish immigrant community here.  Hostlers on Green Street included 27-year-old James Riley, living here with wife Bridget and two young children, along with mother-in-law Bridget Coughlan. James was a recent arrival, emigrating as a teenager in 1890. His 20-year-old wife had come earlier, as a young girl in 1877.

Also now working as a hostler was Thomas Morrissey Jr., 38, a former shoemaker, married for 17 years to Mary Crehan. For the Morrsisseys, 1900 was just seven years since the tragic loss of three of their young children to scarlet fever. The children’s young lives are memorialized on the family headstone at St. Paul’s Cemetery.  Both Thomas and Mary were born in Irish immigrant households in Hingham. Thomas grew up on Elm Street. Mary’s parents earlier had a home on Green Street but after her dad’s death, her mother Ellen Crehan lived with her youngest daughter Catherine’s family here.

Of course, the horses managed by both teamsters and hostlers needed the services of blacksmiths. There were several blacksmith shops in the downtown Hingham area then and one Irish immigrant blacksmith then living on Green Street, Michael Downes, may be one of those shown in this 1900 image of workers at the Huntley Blacksmith shop.

In 1900, Green Street residents also found work for the railroad. The Old Colony line’s South Shore branch through Hingham to Cohasset, built in 1849, created jobs including those held by 40-year-old Irish immigrant Jeremiah Collins, who was supporting his Irish-born wife Margaret and six children born here as a Section Foreman for the railroad, and 39-year-old Irish immigrant Michael Kelly, a track walker for the railroad, whose household included, in addition to wife Margaret and six children, an Irish-born boarder, Michael Wallace, also a railroad worker. Taking in boarders was a common practice in the Irish community here, both to assist newer immigrants and to provide added income for the household. The children in the Kelly household as of 1900 included four daughters and two sons, all under ten years old. Another daughter would be born in 1901. Three of the “Kelly girls” of Green Street would, years later, be among the first women in Hingham to register to vote after the 19th amendment passed in 1920.  By that time, their father had left railroad work behind and joined his neighbors working at nearby private estates.

Hingham Street Railway Car on Summer Street in front of Walsh’s Paint Shop, May 31, 1896.

As the new century dawned, both sons and daughters of the Irish of Green Street often left school and began working as teenagers. Many then stayed in their parents’ household into adulthood, perhaps in part to contribute to the family income as their parents aged. These next-generation Green Street residents at work in 1900 included James Buckley, Jr., 19, then working for the Electric Street Railway.  (One such street car is show here traveling along Summer Street at the harbor, not far from Green Street.)

Burr, Brown Tassel Factory

Three adult daughters of John and Julia Welch were living with their parents in 1900 and working as: a dry-goods dealer (Mary, 39), a dressmaker (Hannah, 35); and a fringe-maker (Julia, 34).  As a fringe-maker, Julia Welch likely worked at the Burr Brown Tassel Factory, nearby on Fearing Road. Julia Buttimer’s daughter, Nellie, 33, worked as a clerk at a shoe and boot store. Dan Daly’s 34-year-old son, Edmund, who lived in his parents’ Green Street home with wife Margaret in 1900, was employed as a clothing dealer.

Detail from 1893 Hingham map showing Dower ropewalk on Hersey Street.

Before ending our visit to the Green Street of 1900, we’ll note some other residents who, like Thomas Morrissey, had ties to the close-by west Hingham area referred to as an “Irish village” in the 1993 Hingham history, Not All Is Changed, published by the Hingham Historic Commission.  James Dower Jr., 33, who in 1900 lived on Green Street with his wife Catherine, their newborn child, and his mother-in-law, Ellen Crehan, was born in Hingham, to Irish immigrants James Dower Sr. and Catherine Bowden, at 135 Hersey Street. This home is still there, near the entrance to St. Paul’s Cemetery, and, like other homes referenced in our visit today, is listed on the Town of Hingham’s Comprehensive Inventory of Historic Assets. In 1900, James Dower Jr. would have walked to work on Hersey Street, where he was  a ropemaker in his father, James Dower’s “rope walk,” then adjacent to the family home. (The rope-making mechanism from the Dower ropewalk is on public display at Hingham Town Hall, on loan from the Hingham Historical Society.)

21 Green Street, Hingham

Mary Casey, living on Green Street in 1900, was the widow of ropemaker Jonas Casey, who may have worked at the Dower ropewalk. The Casey home, at 21 Green Street is another vintage highlight of this charming neighborhood.  If you have enjoyed this brief visit to Hingham’s Green Street of 1900, consider booking a docent-led tour of Hingham’s Irish Immigrant Neighborhood sometime this spring or summer. The walking tour was created as part of the nine-town South Shore Irish Heritage Trail launched in 2022. Email info@hinghamhistorical.org to book.

Frank Vining Smith’s South Seas Mural

Frank Vining Smith, American (1879-67). South Sea Island Scene

Last summer, the Hingham Historical Society received the generous gift of a large (5.5’ x 7.5’) mural with a South Seas islands scene.  It had been painted directly onto a horsehair plaster wall on the back porch of a home on Hingham’s Main Street. For decades it was hidden behind wall paneling until it was accidentally discovered during a 2011 house renovation undertaken by homeowners Frank and Patricia Hanrahan. The Hanrahans immediately understood this exciting find because they had traced the ownership of their home and knew that from 1931 to 1939 it had been owned by noted marine artist Frank Vining Smith and his wife Nella. Smith is considered one of Americas foremost marine artists and is especially well known for his romantic portrayal of clipper ships from the “Golden Age of Sail.” Although the mural doesn’t depict Smith’s typical subject, the painterly brushwork and color suggest Smith’s style.

Mural on the porch wall at 640 Main Street, Hingham

The Hanrahans decided that this long hidden art work was a valuable part of the house’s history and hired Oliver Brothers of Boston, Fine Art Restoration and Conservation, to preserve and restore the damaged and fragile mural. Over several days the mural was painstakingly removed from the wall of the porch by applying a protective sealer to protect the painting while the crumbling horsehair plaster was shaved off the back. The painting you see is actually over a thin skin of plaster that is mounted to a metal panel which was re-installed at the Hanrahans’ home on the same back porch wall.

Although the large mural is an imagined Polynesian scene without a ship in sight, the unsigned work has hallmarks of Smith’s style: impressionistic painterly brushwork, dramatic color, and a romantic depiction of the sea. A further clue that the mural was most surely painted by Frank Vining Smith is similar tropical imagery and figures that can be seen in a watercolor sketch, Del Rio Shipboard Mural, in the collection of Heritage Museums & Gardens, Sandwich, MA. Frank Vining Smith’s long career included painting decorative mural commissions for interiors of private yachts and ships built by Bethlehem Steel at Fore River Shipyard.

Cover art from J. Craig, Frank Vining Smith: Maritime Painting in the 20th Century (2010)

Smith was born in Whitman and summered as a child on the Cape Cod seacoast in Bourne where he became an avid sailor and loved sketching nautical subjects. His natural talent led him to prepare for a career in art, initially as an illustrator. At the School of the Museum of Fine Arts his teachers were noted American Impressionists Edmund Tarbell and Frank Benson. They both strongly influenced Smith’s painterly style and his ability to depict figures. When Smith reached his mid-forties he had become successful enough to give up publishing work and devote himself entirely to painting. Having moved to Hingham in 1921, Smith perhaps knew fellow successful artists Franklin Whiting Rogers on Free Street and Louis and Beatrice Ruyl on Gardner Street.

The 1920s and 1930s have been called the “golden age of travel posters.”

The murals indigenous figures on a non-specific South Seas Islands beach may have been inspired by popular culture during the 1920-30s when the choice of a tropic idyll was perhaps a whim for a back porch used by family for relaxation and entertaining, open to sunlight through French doors to the garden beyond.

In New England there is a tradition of painted walls depicting far away harbor scenes as seen in homes of sea captains and wealthy Yankee shipowners. Could this scene be Frank Smiths playful take on a seafarers tradition? He was a man known to like a good joke.

Why does this fanciful 20th century mural hang in the Kelly Gallery of the Hingham Heritage Museum, where its bold imagery contrasts sharply with the fine antiques, more formal paintings, and historic artifacts on display?

First, the mural is a stunning artwork painted by a recognized master of marine art. Much of Smith’s work is in private collections and museums so it is a privilege for the Hingham Heritage Museum to display an original work.

Second, the painting sparks discussion of its cultural context. In the mural, native islanders wear tropical sarongs and pursue traditional activities: a woman dries fish in the sun, another bears a wide woven market basket on her head. She gazes admiringly at the strapping young fisherman proudly presenting his catch while a companion tends to the humble outrigger boat.  The idyllic scene is not typical of Smith’s work and may offer a glimpse of popular travel and tourist culture of the 1930s. The mural may also be explored within the sociological framework of “colonial imagination,” the stereotypes created about colonized people, to provide insight into how they may have marked a young artist coming of age at the height of American imperialism.

Installation in Kelly Gallery of the Hingham Heritage Museum, July 2020

Finally, the mural tells a great story of stewardship and historic preservation. The Hanrahans’ research led to a vital connection: noted Hingham artist Frank Vining Smith once lived at their 640 Main Street home. He likely painted the porch wall for pleasure before he and wife Nella built a new home in Hingham at 64 High Street—where wall murals by Smith were also discovered behind dining room walls, including one that also depicted a South Seas view.

Hingham is a town of antique homes. New home owners often renovate old houses, sometimes at a loss of valuable historical assets for Hingham. Fortunately Frank Vining Smiths captivating Polynesian mural was not destroyed, only covered up. The Hanrahans’ stewardship and gift contributes to the many varied stories that make up Hinghams history.

[Want to learn more?  Video of a June 2021 gallery talk by Joan Brancale on this painting can be found here.]

 

Searching Early Massachusetts Deeds from Home — For Free!

Deed Search Image 0 Old OrdinaryIf you are curious about property your Massachusetts ancestors or other persons of interest might have owned, there is a way to locate deeds online. All it takes is a free familysearch.org account and a little patience.

I have been researching The Old Ordinary, the Hingham Historical Society’s 1686 house museum at 21 Lincoln Street (aka “the road to Broad Cove”) in Hingham, and its former owners and have found on-line resources such as FamilySearch helpful.  I’ll use The Old Ordinary as my example for how to search early deeds on-line.

In order to set up an account, go to familysearch.org, where you will be asked to provide an email address, set up a password, and choose a userID.  (Make sure to write these down.) You will also be asked to provide some basic information to start “your” family tree but rest assured that information on any living persons remains private, and you don’t have to continue creating a family tree to do research on the site.

You will get a confirming email which you must respond to promptly, and you’re all set.

FamilySearch menus can be deeply nested. Rather than go through all of the menu items to find the deeds, just use your browser to search for: familysearch massachusetts deed search

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From the menu of results, choose: Massachusetts Land Records, 1620-1986 — FamilySearch.org

Click and on the next screen choose: Browse through 5,766,135 images.

Don’t be daunted!  On the next screen, you are presented with a list of the Commonwealth’s counties. When searching deeds, it’s important to know which county a town was in when it was registered.  For instance, Hingham was in Suffolk County from 1643 until 1803, at which point it became part of Plymouth County.   If I am researching the early years, I need to choose Suffolk County.

I am now presented with a long list of links arranged in two columns in the following order:

  • Deed indexes (grantee), grouped first by time period and then alphabetically by surname in successive volumes
  • Deed indexes (grantor), grouped first by time period and then alphabetically by surname, again in successive volumes
  • Deed books, containing the actual deeds, organized by years and volumes.

(A little terminology:  “grantors” are the sellers and “grantees” are the buyers.)

Deed Search Image 1The grantee and grantor index books help you locate a deed more quickly within a certain set of deed books.  As you will see below,  using them on-line is a little bit more cumbersome than using the physical index and deed books, but you do get to search from the comfort of your home and on your own schedule.

An advantage to researching older deeds is that the index books cover a huge span of years, so you don’t have to know exactly when a property changed hands.  For purposes of my example, I know that Francis Barker owned The Old Ordinary in the mid to late 1700s. He was both a grantee when he bought the property and a grantor when he sold.

To find the record of his purchase, I need the grantee index for the period 1639 to 1799 for grantees whose last names start with B

  • Deed index (grantee) 1639-1799 vol 1-2, A-B

A click on the link brings up image 1 of the index book. Now it’s a matter of jumping around in the book until I find Francis Barker. Surnames are listed alphabetically at the top of the page, and given names are listed in the second column.  I like to jump about 50 images at a time until I get close.  I find that records for Francis Barker start at image 211 and end at image 215.  Happily, the one I am looking for is the first entry, which shows that on 5 Jan 1741 Francis Barker (grantee) purchased from Samuel Gill (grantor) a property in Hingham on the Highway to Broad Cove one acre in size. For the actual deed I am directed to consult Deed Book 62 page 171.

Deed Search Image 3I navigate back to the main page for Suffolk County by clicking at the top of the page and find myself at the long list of index books and deed books,  I look for Deed Book 62 and choose the link for

  • Deeds 1740-1741 vol 61-62

Deed Search Image 2This file of 619 images has two volumes, so Volume 62 probably starts halfway through about image 310.  Now, I need to find page 171.  A little browsing shows that each “page” is actually the front and back of a sheet.  Page 171 is, in fact, on images 495 and 496.  There, you can see “Gill to Barker” in the left margin of the left page of image 496. I can read the deed on my screen and/or download or print it.

Deed Search Image 4

[A bonus is that the document immediately prior to this is the deed by which Samuel Gill—Francis Barker’s grantor—himself acquired The Old Ordinary from Baruch Jordan!]

To find the deed for the sale of the property, I would go back and look at the grantor index books and repeat the process.

Not all deeds were registered in a timely fashion, and some land transfers were not registered at all. Some property passed through wills and other means. But most are listed, and you can often learn a lot about an ancestor by searching to see what land holdings he (or sometimes she) might have had.

Some of the terms in land records are archaic. For help understanding them, see: http://www.directlinesoftware.com/legal.htm

For help in understanding deeds and other property records in general, see: https://www.familysearch.org/wiki/en/U.S._Land_Records_Class_Handout

Happy hunting!

A Tale of One Family

A Review of Meg Ferris Kenagy’s Book The House on School Street: Eight Generations. Two Hundred and Four Years. One Family.

Not many people can say their family lived in the same house for eight generations, and even fewer strive to uncover the lives of these ancestors. Meg Ferris Kenagy is one of these rare individuals as she dives head first into this challenge and presents her discoveries in her book The House on School Street: Eight Fenerations. Two Hundred and Four years. One Family. Kenagy brings the history of her family’s house to life through numerous stories about her ancestors. We experience their lives and deaths, births and marriages, and the resulting joys and heartaches that accompany each event.

74 School (c) 1890
Martha Sprague Litchfield, left, and Sarah Trowbridge Litchfield. Circa 1890. Photo courtesy of the Hingham Historical Society.

Kenagy’s vivid descriptions of her family, the house, and Hingham make it feel like she is sitting down with us and flipping through pages of a photo album while sharing her family’s story. We see Colonel Charles Cushing building the house in 1785 after fighting in the Revolutionary War, and we watch subsequent generations move into and out of the family home. We learn of the successes and struggles of the family as they find ways to make a living in a changing world. As Kenagy shifts the narrative’s focus to each owner chapter after chapter, she recognizes the unique relationship each family member had with the house on School Street. She successfully sees the house through each of their eyes.

Although Kenagy admits there are gaps in her family’s story that research cannot fill, she does not let this obstacle frustrate her. Instead, Kenagy embraces what she does not know and proposes answers to the questions she cannot answer. By doing so, she becomes more attuned to the motivations, fears, and struggles of her ancestors. When Kenagy does know the answer to certain questions, she occasionally quotes letters and other sources to add another layer to her family’s story.

74 School Street 1889.jpeg

A large barn can be seen to the left of the house in this 1889 photo. A carriage house is to the right of the house. Photo courtesy of the Hingham Historical Society.

While this book presents the story about eight generations of a family, it also provides an overview of the history of Hingham. Through Kenagy’s detailed descriptions, we see Hingham’s transformation from a small village to a bustling wartime shipyard. Selected quotes from sources like the History of the Town of Hingham, Massachusetts and the Hingham Journal bring the town’s history to life. By acknowledging the history of the town, we can clearly recognize the family’s influence on Hingham’s community.

You can sense writing this book was a deeply personal experience for Kenagy. Not only does it document how she confirms family stories, but also how she uncovers family secrets. We are excited to learn more about Meg Kenagy’s experience writing this book and researching her family’s history when she comes to the Hingham Heritage Museum at Old Derby for a talk and book signing on Saturday, October 27, 2018 at 3:00pm. Please join us!

A Crow Point Cottage

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Clambake Pavilion, Melville Garden on Crow Point, Hingham

One of the earliest surviving structures on Hingham’s Crow Point, the house at 7 Merrill Street was erected around 1860, most likely as a worker’s cottage.  This was shortly after Dorchester industrialist Samuel Downer (1807-1881) bought up most of Crow Point as the site for a proposed kerosene factory.  After the Civil War, Downer took his real estate investment along Hingham Harbor in a different direction and opened Melville Garden, a Victorian amusement park, in 1871.

daniel-e-fraser

Daniel Frasier

This changed the fortunes of the cottage as well.  Its first recorded owner, Isadore Smart of Cambridge, appears to have rented the house as early as 1879 to a company, also from Cambridge, called “Frasier and Smith,” which manufactured felt covers for piano key hammers. Its main operations were located in Cambridge, but perhaps there was a good market for his wares in the music halls of Melville Garden.

 

1892-crow-point-map

The Frasier and Grozier cottages alone on Merrill St. in 1892.

By 1892, the house was also serving as a summer cottage for Daniel Frasier, owner of the firm, and his family. The families of Edwin Grozier and William Covill lived next door in the so-called “Jones Cottage.” Grozier, editor and owner of the Boston Post, had once been Joseph Pulitzer’s private secretary. Grozier and Frasier were active in the same Cambridge social circles.  The three families had Merrill Street to themselves and could watch the steamboats come in to Downer’s Wharf from their back porches.

sailboat

Crow Point seen from Hingham Harbor c. 1900. 7 Merrill is visible behind the sailboat’s mast.

Along with a few similar cottages dotting its hillsides, Crow Point boasted four mansions by the 1890s. Living conditions were rather primitive, however: modern sewer service was not introduced until the late 1940s.  During much of this period, Crow Point’s cottages served principally as summer rentals for Boston families.

pavilion

The hexagonal pavilion salvaged from Melville Garden, shown in 1956

Melville Garden was closed and dismantled in 1896. It might have been Daniel Frasier who moved on of the old  Melville Garden pavilions to the north corner of the house at that time.

In 1897, Crow Point was surveyed and subdivided into residential building lots.  The lots were small, and it appears that few were purchased singly. Amid this development, the property at 7 Merrill Street only reappears in Plymouth County title records in 1944.  That year, it was purchased by George and Margaret Knight, who also purchased the adjacent Jones cottage . The Knights tore down the Jones cottage in 1956 and doubled the size of 7 Merrill the following year, making it a comfortable, modern year-round home.

A photo from 1956, just before the Knights began their renovations, shows the Jones cottage before it was razed. It was at the time similar in size and style to 7 Merrill, and, though it would be considered impractically small by today’s standards, no fewer than eight members of the Grozier and Covill families spent the summer of 1892 there together.

The Knights moved the main entrance to 7 Merrill to the driveway side to accommodate easier access from a car. The current owners have restored the entrance to the front of the house, where it was originally located, and added the portico and an extra chimney for symmetry. Also new is the extension to the living room overlooking Hingham Harbor and an inviting rear terrace.

The house at 7 Merrill will be a featured stop on the Hingham Historical Society‘s 92nd Historic House Tour on Sunday, October 2, 2016.

7-merrill-street

7 Merrill’s mansard roof is one of the remnants of original construction. After the Civil War, the style became popular with rich and poor alike because it provided a full attic for living space.  The stately portico and fish-scale shingles are modern enhancements.

Visiting the Misses Barker

When she was young, Eliza Robbins of Milton enjoyed visiting the Barker sisters of Hingham. As an adult, she wrote a fond memoir of her visits to “The Misses Barker,” which she addressed to her younger sister, Sarah. Her essay, a typescript of which was placed in our archives by early society benefactress Susan Barker Willard, consists mainly of fond character sketches of the three maiden sisters who lived together on North Street in Hingham during the late 18th and early 19th centuries but also provides interesting glimpses of the Town of Hingham during that era.  According to Miss Robbins,

Deborah, Sarah and Bethiah Barker were daughters of Captain Joshua Barker of Hingham, Plymouth County, Massachusetts. Captain Barker belonged to a good family, when all the families were good—descendants of those primitive and pious colonists who first settled New England. He was a man of high honour, great benevolence and most amiable manner. . . . Mrs. Barker was the cousin of her husband and was the second of three sisters; the eldest died the widow of General Winslow and the youngest, Elizabeth, died single in the house of her nieces. The three sisters, especially the subject of this brief memo, never married.

Miss Robbins’ grandmother, Elizabeth Murray Inman, had owned a millinery business in Boston with the Barker sisters’ “Aunt Betsy” during the mid-1700s and, she explained, “between [the Murrays] and the Barkers an intimacy then commenced that was hereditary to the descendants of both the parties.”

19th century photo of North Street Bank, 115 North Street, formerly the Joshua Barker home

19th century photo of North Street Bank, 115 North Street, formerly the Joshua Barker home

Remembering her visits to the Barker home, which was located on North Street in Hingham Square (next to the present-day Post Office), Miss Robbins wrote:

That parlour was a delightful south room. The fervent heat of the summer sun was broken by the thick shade of a wide spreading plane tree that stood near the house and the glossy tresses of a dangling woodbine hanging over the windows softened the light that entered it, leaving spaces sufficient to look through upon the street to which the ground before the house covered with short velvet grass descended in a gentle slope. On the further side of the street lay the vegetable garden of the neighbor, along the borders of a little brook that ran through them toward the sea, which though out of sight was not far off. Beyond the gardens lay another street—behind that stood a hill on the top of which the villagers bury their dead. On the right hand—onward to the limit of vision, along the path way ran houses, those of traffic and mechanic art—the Academy and the spire of an old Church. None of these objects were picturesque but they had a character, they represented life and death, learning and religion, industry and competency, security and contentment. . . .

Detail from a map of historical names and places in Hingham.  ("Barker Shipyard" belonged to the sisters' uncle, Francis Barker.)

Detail from a map of historical names and places in Hingham. (“Barker Shipyard” belonged to the sisters’ uncle, Francis Barker.)

The basic layout that Miss Robbins describes is remarkably unchanged:  the house faces North Street, the bed of the former “Town Brook” (now the capped Greenbush train tunnel), and then South Street.  On the far side of South Street, Hingham Cemetery, Old Derby Academy, and Old Ship Church run south along Main Street ahead.

Hingham Square, looking south on Main Street, 1861.

Hingham Square, looking south on Main Street, 1861.

 

Hingham Square looking south on Main Street, today

Hingham Square looking south on Main Street, today