Search Results for: young artist and scholar

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Lydia Sprague: Young Artist and Scholar (Part 2)

[Second part of a post about young Lydia Sprague, an artistic girl in 1840s Hingham]

Lydia attended school in the large upstairs room at Old Derby that we know today as the “ballroom.” The room was divided in two, with girls in the southeast half and boys in the northwest half. Up to 30 North Parish girls, age 9 or over, could attend the Academy. As a Hingham resident, Lydia’s minimal tuition included supplying her share of firewood during winter for the one stove in the room.

Girls were taught writing, English, French, arithmetic, geography, and needlework, a traditional skill for schoolgirls who demonstrated their proficiency by embroidering samplers.  Our prior post featured examples of Lydia’s penmanship exercises and maps; if any of her needlework survives, it did not come to us.

Drawing was also a desirable skill for young ladies and one at which Lydia Sprague clearly excelled. Her sketchbooks date from 1844 through 1846, beginning when she was 12 years old. They contain numerous landscape vignettes with figures and cottages, charming and detailed and derivative of engraved illustrations she may have seen in local gazettes, copies of European paintings or popular Currier and Ives prints. Copying such images was a common way for a motivated student to develop drawing skills.

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Some sketches in her books appear to be imaginary scenes–

IMG_3214 –but others appear to have been influenced by direct observation. Many landscapes include a bay-shaped expanse of water that suggests Hingham Harbor.

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Other than her school work and drawings, we know little about Lydia Sprague’s life. She grew up in Hingham Center, married young, and had no children. In all likelihood, she set aside her artistic ambitions when the demands of married life shifted her priorities. Similarly, the story of her sketchbooks before they came into the Society’s collection is also a mystery. Lydia’s survive today in very good condition, perhaps treasured and protected for decades by a doting niece or nephew before finding their way into our collection.

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Lydia Sprague: Young Artist and Scholar (Part 1)

IMG_3205Our archives contain a partial school record of an artistic young Hingham scholar.  Her name was Lydia Sprague, and she attended Derby Academy from 1844, when she was 12, through 1846. Her sketchbook, hand-drawn maps, copybook, and other school work provide a glimpse into schoolwork at Derby Academy in the mid-19th century and reveal a schoolgirl’s love of drawing and a desire to excel by attention to detail.

Lydia’s small sketches of possibly local scenes, landscapes, and figures engaged in play and daily life suggest a family talent shared with the more famous Hingham artist Isaac Sprague. Isaac Sprague, an older second cousin, was born in 1811. Like Lydia, he was the son of a box-cooper and grew up in Hingham Center. It is likely that Lydia knew and looked up to her cousin Isaac.

Isaac Sprague was a self-taught artist and naturalist who met early success when he accompanied John Jay Audubon on the 1843 expedition up the Missouri River that led to Audobon’s famous portfolio, “Quadrupeds of North America.” An obituary of Isaac Sprague quoted him as saying, on the subject of his training, “I always had a fondness of making pictures and made small drawings at school.”

IMG_3216Young Lydia Sprague also made “small drawings at school,” and we have in our collection three of her pencil sketchbooks, highly detailed maps of American states and territories, and a copy book of exquisite penmanship. This fascinating legacy conveys her individual achievement as a diligent student and young artist.

The repetitive penmanship exercises of moral phrases and the exhaustive information included on her maps provide a glimpse of Derby Academy’s high expectations both of virtuous behavior and proficiency in these areas of study.

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Before the advent of universal public primary and secondary education, most children who received a good education had affluent parents who could pay for it. Lydia was the daughter of a box-cooper and born in 1832, when most Hingham girls of her class were taught only enough reading, writing, and arithmetic and needlework to prepare them for their lives as the wives or tradesmen, mariners, and artisans. IMG_3198She had the good fortune to have been raised by parents who valued education and who enrolled her for a few years at Derby Academy. This progressive school, the first in New England to offer a rigorous education to girls, was founded shortly after the Revolution and perhaps reflected a new republication concern that women be prepared to raise knowledgeable and patriotic citizens.

–To be continued

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Nature vs. Nurture: Consider the Spragues, Part 2

A rare photo of a Revolutionary War veteran [courtesy of findagrave.com]

William Sprague’s line of the family achieved prominence in the arts—from botanical illustration to poetry.

In this “Rev 250” period of commemoration of the War for Independence, I need to first mention that William’s great-great grandson, Samuel Sprague, born in Hingham in 1753, was a Revolutionary War Patriot who also participated in the Boston Tea Party, as discussed in a 2020 post on this blog.  Samuel’s pension states that he crossed the Delaware with George Washington!  (That tidbit is courtesy of the recently published book, Revolutionary War Patriots of Hingham, Ellen Stine Miller & Susan Garrett Wetzel, 2024, copies of which are available from the Hingham Historical Society.

Portrait of Charles Sprague, the “Banker Poet,” by Matthew Sprague (Hingham Historical Society)

Charles Sprague (1791-1875) —Samuel’s son, Charles, was born in Boston, where his father Samuel earlier had relocated as an apprentice mason.  Charles had success both in the banking business and as a poet and became well known as the “Banker Poet of Boston.” He is considered one of America’s earliest native-born poets. Some of his poems suggest an affinity for transcendentalism, a movement associated with Charles’ contemporaries Ralph Waldo Emerson, Henry David Thoreau, and Margaret Fuller, all of Massachusetts. One example of Charles’ poetry can be read here.

This portrait of Charles hangs in the hallway of the Hingham Historical Society’s General Benjamin Lincoln House (Charles’ granddaughter Helen Amelia Sprague married Lauriston Scaife, a Lincoln descendant).  A modern notation on the back of the canvas attributes the painting to “Matthew Sprague”–another talented Sprague?

Charles James Sprague (1823-1903), like his father, was a banker and a poet but he left his mark in the field of botany.  His portrait,  looking very much like a respectable banker, also hangs in the Benjamin Lincoln House.  It was painted by his nephew, Charles Sprague Pearce, a well-known painter of the 19th century.

Portrait of Charles James Sprague by Charles Sprague Pearce (Hingham Historical Society)

Charles James Sprague was known for his study and illustrations of lichens. More info about the Sprague Herbarium of Fungi can be found here.

Based on his scientific and literary contributions, Charles James Sprague was elected to the American Academy of Arts and Sciences in 1856.

Hosea Sprague (1779-1843) — A grandson of Isaac Sprague, Sr. (1709-1789) another Revolutionary War Patriot of Hingham, Hosea first trained as a printer in Boston. He then returned to Hingham where he worked as a bookseller and became known as a wood engraver.

A few of his engravings from the Hingham Historical Society archives are shown here.

Hosea also was the compiler of The Genealogy of the Spragues in Hingham, published in 1828, an excerpt from which is show here.    The Hingham Library also has an original edition in its Sprague family archive. This genealogy is notable as it was published well-before the popularity of genealogies in the late 19th/early 20th century, following the 1876 U.S. centennial and the 1890 launch of the Daughters of the American Revolution, when charting colonial ancestry became quite popular.

In the 1840s, Hosea published several issues of a periodical of his observations about life, history, and weather: “Hosea Sprague’s Chronicle.” In an October 18, 1888, feature story, published in the Hingham Journal, Hingham’s Luther Stephenson (a Civil War general, who had both maternal and paternal Sprague grandmothers) wrote about his cousin Hosea:  “He had great respect for the first settlers of Hingham, and spent much time in deciphering and copying in his bold hand the early records of the town…”

Isaac Sprague (1811-1895)—A great grandson of Isaac the Revolutionary War Patriot, Isaac was born in Hingham. He became an Artist Assistant to the well-known illustrator John James Audubon, joining Audubon’s expedition to Montana in 1843. Isaac then began his successful career in Cambridge as a botanical illustrator, working with influential botanist Asa Gray and others. In recognition of Isaac’s Hingham roots, the Hingham Heritage Museum treasures its collection of several of Isaac’s beautiful artworks and the Society sponsored an exhibit of his work in 2016.

Here are some of the prints in our collection:

Isaac’s work has been the subject of two posts on this blog, —in 2016 and 2017:

In addition to poets and artists, the William Sprague line includes skilled craftsmen known as coopers—artisans in woodenware-making including boxes, buckets, and wooden toys, during the long period when Hingham was known to many as “Bucket Town.” This history is documented and beautifully illustrated in the book Bucket Town, Woodenware and Wooden Toys of Hingham, Massachusetts, 1635-1945, written by Derin T. Bray and published by the town’s Hingham Historic Commission in 2014.

In 2014-15, Old Sturbridge Village featured an exhibit titled “Bucket Town: Four Centuries of Toy-Making and Coopering in Hingham.” The Hingham Heritage Museum’s inaugural exhibition in 2017 was Boxes, Buckets, and Toys: the Craftsmen of Hingham.”

Among the Hingham Sprague family members who were coopers/ woodenware makers are:

  • Isaac Sprague, Sr. (1709-1789), the Revolutionary War Patriot, by trade a set-work (or bucket/barrel making) cooper; his son Isaac (1743-1800) also a set-work cooper; and Isaac Sprague, Jr.’s sons Peter (1773-1859) and Isaac (1782-1826) both of whom were box coopers. Peter’s son, Peter (1801-1868) also worked as a box cooper.
  • Amos Sprague (1747-1838) a box cooper; and his son Amos (1774-1830) also a box cooper.
  • Blossom Sprague (1784-1860), a carriage painter who was also an award-winning maker of wooden toys.
  • Reuben Sprague (1785-1852), whose son Reuben O. Sprague (1811-1898) used his woodworking skills as a stair builder with a shop in Boston.
  • Adna Sprague (1790-1860) a box cooper who also served in town government as a Selectman.
  • Bela Sprague (1804-1878), a brother of engraver Hosea, a “white cooper,” or maker of buckets, pails, and other household containers. Bela’s work is featured in the Bucket Town book. We have some examples of Bela’s work in our Hingham Historical Society collection, including this bail-handled pail and a small pail with a handle, known as a “piggin.”
  • Samuel Sprague (1809-1882), cooper, whose son Samuel (1833-1900) was a stair builder; and
  • Anthony J. Sprague (1855-1921), who ran the ad shown here for his woodenware business in the 1894 Hingham-Hull Directory. One of Anthony J. Sprague’s buckets is this firkin from the Historical Society’s collection.

Women of the 18th-mid 20th century were generally less recognized for their contributions to the arts, but we are fortunate to have examples of the illustrations of Lydia Sprague (1832-1907), a cousin of Isaac, and a daughter of box cooper Adna Sprague. Several examples of Lydia’s artistry are included in Joan Brancale’s two-part post on our blog from 2014:

Also in our collection are some wonderful samplers by Sprague women – created when they were in school.

  • First, this sampler where nature and a structure (perhaps Derby Academy) are prominently featured, embroidered by Mary Sprague (1804-1871.) Mary was a daughter of Peter Sprague and Mary Whiton. She married Elijah Burr in 1828.
  • Next, a genealogical sampler, which tells us in embroidery that the creator is a then 8-year-old Jane Sprague, who stitched it on May 1, 1820. As spelled out in stitches, Jane is a daughter of David Sprague and Mary Leavitt Gardner. Jane (1811-1878) married Thomas Cushing in 1836.

Before concluding this short visit with members of the William Sprague family line, a note about descendants who are an important part of the history of Rhode Island. William’s son William, born in Hingham in 1650, moved to Rhode Island around 1710. His grandson William, born in Cranston in 1795, started
a grist and sawmill in Cranston along the Pocasset River. The next generation built on that foundation, and much wealth was created in the process due to the success of A & W Sprague, which grew to become, for a time, the largest cotton textile manufacturer in the country. Their business success made members of this line quite wealthy and propelled some of the family into politics: two became Governors of Rhode Island in the 19th century. One of these, another William, born in 1830, also became a US Senator, and built an enormous estate in Narragansett, RI in the 1860s, named Canonchet.

Part 3 of this blog will focus on the descendants of Raph Sprague, older brother of Charlestown and Hingham settler William, — and this line’s lasting contributions to science, technology and related businesses.