Search Results for: botany

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Isaac Sprague and American Botany

isaac sprague poster '16-100dpiA new exhibit opened today at our 1688 Old Ordinary house museum, 21 Lincoln Street, Hingham. Isaac Sprague and American Botany: Art, Science, and Agriculture in the 19th Century examines the life and work of America’s best-known botanical illustrator–and son of Hingham–and places his art in the context of several currents of 19th century social history.  Plus, we have mounted some absolutely lovely botanical prints and and a series of beautifully detailed pencil drawings of the many types of orchard fruits that were once grown in this area. The exhibit can be seen Tuesdays through Saturdays, between 1 pm and 5 pm, for the rest of the summer.  We hope you come and take a look and learn a little more about this Hingham artist.

Main Street, Top of Pear Tree HillIsaac Sprague was born in Hingham in 1811. His family lived in Hingham Centre, in a house that still stands today. The Spragues of Hingham were primarily coopers, part of the woodenware industry that gave early Hingham the nickname “Bucket Town.”  Sprague was mostly self-taught as an artist, recalling that he “always had a fondness for making pictures” as a child. He was “constantly discouraged from doing so by [his] father, who said artists were invariably poor,” but his family did have some creative roots–his Uncle Hosea was a printer and engraver, and another uncle, Blossom, ran a carriage-painting business (visible in the center of this early photo of Hingham Centre) where Sprague was apprenticed as a young man.

No. 11Sprague developed an early love of nature and much of his juvenile work is drawn from the woods and fields around Hingham.  In particular, young Isaac drew and painted numerous pictures of birds.  When Sprague was about thirty, he met the wildlife artist J. J. Audubon, who examined a number of Sprague’s bird drawings and, impressed with his talent, hired him as an assistant. In this capacity, Sprague accompanied Audubon out west to the Missouri Territory and Fort Union on a trip to produce sketches for Audubon’s Quadrupeds of North America. This connection with Audubon launched Sprague’s career as a botanical artist.

2011.0.271After his trip west Sprague returned briefly to the South Shore, working as a clerk in a Nantasket Beach hotel until, the following year, he started to work as an illustrator for prominent American botanist Asa Gray, first producing illustrations for his 1845 Lowell lectures at Harvard.  Before long he moved to Cambridge, continuing to work for Gray and other Harvard professors, illustrating several comprehensive botanical volumes in the 1840s and 1850s.  (The illustration to the left, of Aesculus Parviflora, is from an 1848 work, Trees and Shrubs of New England.)

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Nature vs. Nurture: Consider the Spragues, Part 2

A rare photo of a Revolutionary War veteran [courtesy of findagrave.com]

William Sprague’s line of the family achieved prominence in the arts—from botanical illustration to poetry.

In this “Rev 250” period of commemoration of the War for Independence, I need to first mention that William’s great-great grandson, Samuel Sprague, born in Hingham in 1753, was a Revolutionary War Patriot who also participated in the Boston Tea Party, as discussed in a 2020 post on this blog.  Samuel’s pension states that he crossed the Delaware with George Washington!  (That tidbit is courtesy of the recently published book, Revolutionary War Patriots of Hingham, Ellen Stine Miller & Susan Garrett Wetzel, 2024, copies of which are available from the Hingham Historical Society.

Portrait of Charles Sprague, the “Banker Poet,” by Matthew Sprague (Hingham Historical Society)

Charles Sprague (1791-1875) —Samuel’s son, Charles, was born in Boston, where his father Samuel earlier had relocated as an apprentice mason.  Charles had success both in the banking business and as a poet and became well known as the “Banker Poet of Boston.” He is considered one of America’s earliest native-born poets. Some of his poems suggest an affinity for transcendentalism, a movement associated with Charles’ contemporaries Ralph Waldo Emerson, Henry David Thoreau, and Margaret Fuller, all of Massachusetts. One example of Charles’ poetry can be read here.

This portrait of Charles hangs in the hallway of the Hingham Historical Society’s General Benjamin Lincoln House (Charles’ granddaughter Helen Amelia Sprague married Lauriston Scaife, a Lincoln descendant).  A modern notation on the back of the canvas attributes the painting to “Matthew Sprague”–another talented Sprague?

Charles James Sprague (1823-1903), like his father, was a banker and a poet but he left his mark in the field of botany.  His portrait,  looking very much like a respectable banker, also hangs in the Benjamin Lincoln House.  It was painted by his nephew, Charles Sprague Pearce, a well-known painter of the 19th century.

Portrait of Charles James Sprague by Charles Sprague Pearce (Hingham Historical Society)

Charles James Sprague was known for his study and illustrations of lichens. More info about the Sprague Herbarium of Fungi can be found here.

Based on his scientific and literary contributions, Charles James Sprague was elected to the American Academy of Arts and Sciences in 1856.

Hosea Sprague (1779-1843) — A grandson of Isaac Sprague, Sr. (1709-1789) another Revolutionary War Patriot of Hingham, Hosea first trained as a printer in Boston. He then returned to Hingham where he worked as a bookseller and became known as a wood engraver.

A few of his engravings from the Hingham Historical Society archives are shown here.

Hosea also was the compiler of The Genealogy of the Spragues in Hingham, published in 1828, an excerpt from which is show here.    The Hingham Library also has an original edition in its Sprague family archive. This genealogy is notable as it was published well-before the popularity of genealogies in the late 19th/early 20th century, following the 1876 U.S. centennial and the 1890 launch of the Daughters of the American Revolution, when charting colonial ancestry became quite popular.

In the 1840s, Hosea published several issues of a periodical of his observations about life, history, and weather: “Hosea Sprague’s Chronicle.” In an October 18, 1888, feature story, published in the Hingham Journal, Hingham’s Luther Stephenson (a Civil War general, who had both maternal and paternal Sprague grandmothers) wrote about his cousin Hosea:  “He had great respect for the first settlers of Hingham, and spent much time in deciphering and copying in his bold hand the early records of the town…”

Isaac Sprague (1811-1895)—A great grandson of Isaac the Revolutionary War Patriot, Isaac was born in Hingham. He became an Artist Assistant to the well-known illustrator John James Audubon, joining Audubon’s expedition to Montana in 1843. Isaac then began his successful career in Cambridge as a botanical illustrator, working with influential botanist Asa Gray and others. In recognition of Isaac’s Hingham roots, the Hingham Heritage Museum treasures its collection of several of Isaac’s beautiful artworks and the Society sponsored an exhibit of his work in 2016.

Here are some of the prints in our collection:

Isaac’s work has been the subject of two posts on this blog, —in 2016 and 2017:

In addition to poets and artists, the William Sprague line includes skilled craftsmen known as coopers—artisans in woodenware-making including boxes, buckets, and wooden toys, during the long period when Hingham was known to many as “Bucket Town.” This history is documented and beautifully illustrated in the book Bucket Town, Woodenware and Wooden Toys of Hingham, Massachusetts, 1635-1945, written by Derin T. Bray and published by the town’s Hingham Historic Commission in 2014.

In 2014-15, Old Sturbridge Village featured an exhibit titled “Bucket Town: Four Centuries of Toy-Making and Coopering in Hingham.” The Hingham Heritage Museum’s inaugural exhibition in 2017 was Boxes, Buckets, and Toys: the Craftsmen of Hingham.”

Among the Hingham Sprague family members who were coopers/ woodenware makers are:

  • Isaac Sprague, Sr. (1709-1789), the Revolutionary War Patriot, by trade a set-work (or bucket/barrel making) cooper; his son Isaac (1743-1800) also a set-work cooper; and Isaac Sprague, Jr.’s sons Peter (1773-1859) and Isaac (1782-1826) both of whom were box coopers. Peter’s son, Peter (1801-1868) also worked as a box cooper.
  • Amos Sprague (1747-1838) a box cooper; and his son Amos (1774-1830) also a box cooper.
  • Blossom Sprague (1784-1860), a carriage painter who was also an award-winning maker of wooden toys.
  • Reuben Sprague (1785-1852), whose son Reuben O. Sprague (1811-1898) used his woodworking skills as a stair builder with a shop in Boston.
  • Adna Sprague (1790-1860) a box cooper who also served in town government as a Selectman.
  • Bela Sprague (1804-1878), a brother of engraver Hosea, a “white cooper,” or maker of buckets, pails, and other household containers. Bela’s work is featured in the Bucket Town book. We have some examples of Bela’s work in our Hingham Historical Society collection, including this bail-handled pail and a small pail with a handle, known as a “piggin.”
  • Samuel Sprague (1809-1882), cooper, whose son Samuel (1833-1900) was a stair builder; and
  • Anthony J. Sprague (1855-1921), who ran the ad shown here for his woodenware business in the 1894 Hingham-Hull Directory. One of Anthony J. Sprague’s buckets is this firkin from the Historical Society’s collection.

Women of the 18th-mid 20th century were generally less recognized for their contributions to the arts, but we are fortunate to have examples of the illustrations of Lydia Sprague (1832-1907), a cousin of Isaac, and a daughter of box cooper Adna Sprague. Several examples of Lydia’s artistry are included in Joan Brancale’s two-part post on our blog from 2014:

Also in our collection are some wonderful samplers by Sprague women – created when they were in school.

  • First, this sampler where nature and a structure (perhaps Derby Academy) are prominently featured, embroidered by Mary Sprague (1804-1871.) Mary was a daughter of Peter Sprague and Mary Whiton. She married Elijah Burr in 1828.
  • Next, a genealogical sampler, which tells us in embroidery that the creator is a then 8-year-old Jane Sprague, who stitched it on May 1, 1820. As spelled out in stitches, Jane is a daughter of David Sprague and Mary Leavitt Gardner. Jane (1811-1878) married Thomas Cushing in 1836.

Before concluding this short visit with members of the William Sprague family line, a note about descendants who are an important part of the history of Rhode Island. William’s son William, born in Hingham in 1650, moved to Rhode Island around 1710. His grandson William, born in Cranston in 1795, started
a grist and sawmill in Cranston along the Pocasset River. The next generation built on that foundation, and much wealth was created in the process due to the success of A & W Sprague, which grew to become, for a time, the largest cotton textile manufacturer in the country. Their business success made members of this line quite wealthy and propelled some of the family into politics: two became Governors of Rhode Island in the 19th century. One of these, another William, born in 1830, also became a US Senator, and built an enormous estate in Narragansett, RI in the 1860s, named Canonchet.

Part 3 of this blog will focus on the descendants of Raph Sprague, older brother of Charlestown and Hingham settler William, — and this line’s lasting contributions to science, technology and related businesses.

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Isaac Sprague, Botanical Illustrator

The Old Ordinary, our 1688 house museum, opens on June 13, 2017 and, for a second season, you can come see our Old Ordinary Summer Exhibit, “Isaac Sprague and American Botany.” While the exhibit devotes significant attention to Isaac Sprague’s Hingham roots and continuing connections with our town, it also addresses his prolific career as a botanical illustrator which is the source of his lasting fame.

coffee plantIn the 1840s Sprague left Hingham and moved to Cambridge, where he worked with influential botanists, including John Torrey (1796-1873) and Torrey’s pupil, Harvard professor Asa Gray (1810-1888), who is often referred to as a “father of American botany.”  In the mid-19th century, American botany was undergoing a period of intense growth and development into an academic discipline seeking a unified understanding of North American plant life that would match the highest standards of then-current European scholarship and complexity.  An important part of this process was the publication of complete and authoritative works describing the plant life of this continent—with clear, detailed, and accurate illustrations.  Sprague’s talents were ideal for the task.

2011.0.271Sprague first produced the illustrations for Asa Gray’s 1845 Lowell lectures at Harvard and then assisted with several comprehensive botanical volumes over the course of the 1840s and 1850s. His illustrations were scientific tools first and aesthetic objects second:  Sprague considered himself to be a naturalist or delineator rather than describing himself as an artist. In the preface to his 1848 work Genera of the Plants of the United States, Professor Gray described “the scientific insight and careful investigations of Mr. Sprague, as well as . . . his skill and accuracy in delineation.”  In his private correspondence, he reported that Sprague was studying botany and the natural sciences, underscoring the technical knowledge the work required.

Sprague contributed plates and engravings to over 40 works of botanical, horticultural and naturalist interest over this part of his career. The writers with whom he worked included not only Torrey and Asa Gray but also William Oakes (1799-1848), George Emerson (1797-1881), George Goodale (1839-1923), and others.  (The illustrations in this blog post are plates from George Emerson’s 1838 Trees and Shrubs of New England.)